‘During the Soviet era, the ‘State Planning Committee’ decided that it would be politic to make as many nesting Russian Dolls as possible, in order that each person on the Earth could get his/her own ‘matryoshka’. The factory dolls that were subsequently churned out had none of the appeal of the old hand-carved ones. Highly skilled old masters turned matryoshkas with very thin sides, which were considered to be a special artform. Painting matroykas was secondary. The professional artists who painted the first factory turned dolls did not treat them seriously enough. Without the native traditions, the matroyshka lost its charm and became an ordinary wooden toy, primitive and simple, but certain themes and patterns were still visible in their designs. The red and black Dog-Rose with many petals was the main element of the painted aprons. This flower was always considered to be a symbol of femininity, love and motherhood.’
Women are the real Russian dolls. Inside, are their children, growing and turning, their wooden faces emerging from the carving tool, their newly painted eyes blinking into awareness. Deeper within every doll is their mother, who only comes to the fore when the babies are born. That is when we realise what it is to have a mother and be a mother – the heart-churning, chest-rending ache of it, coupled with the sweetest indescribable joys. And when we first realise what our own mothers and grandmothers have achieved.
Within the Russian dolls of a family are the minute changes in appearance that dictate the changing generations – a misplaced mole or birthmark perhaps, a tendency to a long nose or a high forehead. Echoes from this genealogy create that striking sense of a family. When you walk into the room of someone else’s family gathering, there is a moment, while you are still an outsider, when you can see these clues. Laid out before you are a mass of pale-skinned, freckled, red headed folk, or the cast of The Cosby Show, or domed foreheads of every shape, size and age like Old Masters come to life. Whatever it is, you’ll see it that first time, as clearly as a brand on sheep. This is NOT your family. Your own family has blurred for you over time, until now all you see is its familiarity. Faces that might as well be your own in a mirror; you know them that well. Auntie this, Cousin that, who may be irritating as hell individually, but taken together reflect back your sense of yourself in the world. Like us Clarks.
‘Sometimes matryoshkas portrayed the whole family, with numerous children and other staff members of households. There were matryoshkas devoted to historical themes. They described boyars (old
And it really is a ceremony. No matter how corny, rushed or commonplace having a cup of tea has become, it’s a potent symbol of home and family. A cup of ‘tea and sympathy’ at times of stress or grief, a heartwarming mugful to dispel shock, the ritual teapot and dainty cups with saucers when an elderly relative, vicar, neighbour or potential in-laws call by. Those late night mugs of chocolate, or continental shots of coffee are all very well, but someone only has to say ‘Fancy a cuppa?’ and I feel cosseted and welcomed. I can differentiate old boyfriends and their families by different styles of tea. The dilute milky taste of Mark’s tea, the harsh tannin laced with copious sugar of Steve’s Irish family. Joe dubbed Auntie Doreen’s ‘Guinness tea’, relishing its rich copper colour and dense flavour - that ‘puts hairs on your chest.’ And now everyone drinks green tea, red tea, fruit tea, camomile tea, Earl Grey,